An imagined hotel · A living galleryHSHOTEL SUFARDIDCB PRODUCTIONSInternet Archive ↗
An imagined midnight marble pavilion illuminated by a giant teratai, half living petals and half brass machinery, reflected in the water.

DCB Productions invites you

Hotel
Sufardi.

Somewhere between a story and a dream.

Art on the walls. Batik in the folds.
Miss Watson at the door.

Come inside
A free public gallery by Hykarl SufardiSelamat datang. Kasut buka.
Imagined sheltered marble colonnade framed by bougainvillea, orchids and ferns beside a midnight reflecting pool filled with lily pads and a glowing mechanical water lily.
Imagined architecture · AI-generated artwork · DCB Productions

Within the hotel · 02 · The Water Garden

Teratai Court.

Beyond the gallery, the corridor opens to water. Rain touches the leaves; the teratai keeps the night lit. Take the long way around. There is a chair waiting under the veranda.

Walk out to the hot springs
Imagined steaming infinity hot-spring pool at sunrise, opening toward tropical greenery and distant limestone cliffs, with stone terraces, batik screens and flowering plants.
Imagined architecture · AI-generated artwork · DCB Productions

Within the hotel · 03 · The Pool Terrace

Infinity Hot Springs.

Warm mist above the water. The pool’s edge disappearing into green. Beyond the marble terrace, the hills catch the first light—and the hotel lets the morning in, just here.

Continue to the Flower Room
Imagined sunlit glass-roof conservatory overflowing with orchids, flowering vines and tropical greenery around a pink water-lily pool, with marble arches and brass batik screens.
Imagined architecture · AI-generated artwork · DCB Productions

Within the hotel · 04 · The Flower Room

Bilik Bunga.

One room forgot it was supposed to be midnight. Sunlight comes through the glass; flowers climb the marble; water lilies take the middle of the floor. Here, the garden has the run of the house.

A small detail from Kapten’s collection
Two pink roses and a dark red rose in a glass vase on black-and-white veined marble, beside small brass flower-shaped holders.
Hykarl Sufardi · Instagram collection · 2022

A flower room begins somewhere

Roses, marble
and brass.

A few stems in a glass vase. A little pink against dark stone. A detail from Hykarl’s photographs, given a room of its own in the imagination.

“The roses were here before the reception desk.”

Miss Watson · Gallery interpretationOriginal Instagram post ↗
Imagined grand dining room with beautifully crafted tables, mulberry chairs, marble columns, brass batik screens and abundant flowers and greenery overlooking the water garden at night. No people or food.
Imagined architecture · AI-generated artwork · DCB Productions

Within the hotel · 05 · The Dining Room

A place at the table.

The long table, the curve of a chair, flowers between pools of lamplight. Through the windows, the water garden keeps its own company. For now, simply enjoy the room.

Retire to the library
Imagined two-storey library with dark timber bookshelves, trailing plants over a brass-railed mezzanine, orchids, burgundy armchairs and batik curtains looking out over the illuminated lily pond.
Imagined architecture · AI-generated artwork · DCB Productions

Within the hotel · 06 · The Reading Wing

The Midnight Library.

Dark timber, batik at the windows, and the pool reflected in the glass. Pull up a chair. Some doors in Hotel Sufardi open into another story.

See what is on the shelf

Further inside · The Reading Room

A picture opens
another door.

The stories continue at Akal Jentera, Hykarl’s first creative House. When you are ready for words, follow the thread.

Explore Akal Jentera ↗

A door to a larger library

Internet Archive

Books, moving images, sound and the web’s memory.

Visit Archive.org ↗
Hana no Sho botanical artwork, fine floral drawings and gold lettering.

The garden has a voice.

“Kapten planted a conversation. Naturally, it grew into a book.”

Miss Watson · Gallery interpretationOriginal Instagram post ↗
Dark Sexy Sherlock Is Online announcement artwork.

The paperwork has arrived.

“The detective is online. Whether he is behaving remains an open case.”

Miss Watson · Gallery interpretationOriginal Instagram post ↗
A stitched ivory petal against a dark background, No Kapten trilogy artwork.

Even the refusal has a seam.

“Leave the stitch visible. That is where the story held together.”

Miss Watson · Gallery interpretationOriginal Instagram post ↗
The Captain’s Return: an invented ivory and violet night flower, framed with botanical drawings and cooking utensils.
The Captain’s Return · An invented story flower

Left beside a cup of tea · A story from the island

I BRING
MEAT.

Also, I’m Looking for a Flower.

Dessert was saved. The gate was open. Naturally, the captain arrived through a hedge wearing cologne.

A shy captain, a vegetarian cyclops, and a barbecue menu with alarming implications. A warm, flirty island comedy by Hykarl Sufardi.

68 illustrated pages · 12 chapters · English PDF

International price: US$3.99 · Fiction with flirtation and adult language

A little taste · Free, no sign-up

A Variety of Methods

Chapter 5. Dinner is being discussed. Kapten has misunderstood his role.

Download the free chapter · PDF ↓
Read the complete chapter here

I BRING MEAT / CHAPTER 05

A Variety of Methods

HykarlAlfredTonyZaraMiss QBaby VSelinaRachel

By late afternoon, the courtyard smelled of cut herbs and heating charcoal. Selina sat at the spice table sorting rosemary from thyme. Rachel labelled serving dishes. Zara worked at the grill while Baby V mixed drinks.

Heat pressed down beneath the cooking-shelter roof. A fan turned above the preparation table, fluttering Rachel's labels whenever it faced her. Selina kept one hand on the herb basket; every few moments she lifted a stem to smell it, then laid it in the appropriate pile. Out by the fire, Zara shook the coals into an even bed.

Tony was attempting to carry three pineapples at once.

Alfred: “Two trips,” Alfred advised over the radio.

Tony: “That’s exactly what they’re expecting.”

Hykarl took his place beside the cooking fire with the tongs held like a ceremonial baton.

Hykarl: “Behold,” he announced. Hykarl: “I am meat. I bring meat. I cook meat. The fire obeys ze Kapten!”

A small puff of smoke blew directly into his face.

He coughed with authority.

Zara turned a tray towards him.

Fat hissed at the edge of the grill. Hykarl followed the sound with professional attention until he realised Zara was looking at him rather than the tray. Behind her, steam lifted a saucepan lid by a fraction and let it settle again. The entire kitchen seemed very certain about what it intended to do to dinner.

Zara: “Roasted.”

Miss Q: “Steamed,” said Miss Q, indicating a separate covered dish.

Rachel lifted a bunch of herbs.

Rachel: “Stuffed with these.”

Hykarl looked from face to face.

Hykarl: “Alfred,” he whispered into the radio. Hykarl: “They have different plans for me.”

Alfred: “They’re discussing dinner.”

Tony recovered a slipping pineapple against his chin.

Tony: “You introduced yourself as the ingredients, boss.”

Hykarl: “SCARY,” Hykarl said. Hykarl: “DEATH BY COOKING.”

Baby V brought him a glass of water.

Baby V: “Relax, darling. We’re keeping you for company.”

He accepted the glass with both hands.

Hykarl: “For company. Yes. Good. That is a very good—”

The sentence departed without him.

Baby V smiled.

Baby V: “He was calmer about the roasting.”

Miss Q unrolled a length of baking paper.

The paper made a long, dry whisper as it opened across the table. Q smoothed it with both palms. Selina placed the herbs within reach, then glanced at Hykarl over the rim of her cup, waiting to see how far his imagination would travel without assistance.

Miss Q: “There’s also en papillote.”

Hykarl backed into a charcoal sack.

Hykarl: “NO WRAPPING. I CAME HERE FOR—FOR RESEARCH. NOT TO BECOME AN ANCIENT EGYPTIAN.”

Alfred: “The sea bass, Kapten,” Alfred said. Alfred: “We’re wrapping the sea bass.”

Tony considered the paper.

Tony: “The look could work. Streamlined.”

Selina watched Hykarl inspect the quickest path to the jetty.

Selina: “Predictable,” she murmured.

He stopped.

Hykarl: “What is?”

Selina: “You looked at the boat before the fish.”

He looked at the fish.

Hykarl: “Routine maritime awareness.”

She folded a little rosemary into the paper and slid the packet towards Q.

Selina: “What if someone wrapped her arms around you?”

Hykarl’s fingers tightened around his glass.

Hykarl: “That application would require separate consideration.”

Tony set down the pineapples.

Tony: “Postponing evacuation, Alfred.”

Zara rescued the tongs from beneath Hykarl’s elbow.

Zara: “Come stand here. You’re on the cooler side. Turn these when I tell you.”

Hykarl: “I possess extensive experience.”

Zara: “Good. Wait.”

He waited.

For a few breaths they worked shoulder to shoulder. Zara watched the food; he watched for her signal. When she stepped around him to reach the salt, he made so much room that his heel found the charcoal sack again. She moved it out of his way with her foot and continued cooking.

Zara: “Now.”

He turned them neatly.

Zara nodded.

Zara: “There’s my useful captain.”

Hykarl examined the tongs.

Hykarl: “The hinges,” he said, Hykarl: “may require inspection.”

Zara: “Later.”

Take the whole expedition home

The full book.

RM12.99 via DuitNow

All 68 pages, including the utensil field plate and The Captain’s Return flower. A one-time purchase of the illustrated PDF.

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